95 Royalty-Free Audio Tracks for "Running Tap"

This sound is of a sink and running water draining. The faucet shuts and opens several times. Recorded with an olympus ls-100.

Tap running into an empty metal sink basin in a kitchen. Recorded with a zoom h4n.

Turning on a tap running water into sink, recorded using a self written app on my samsung galaxy phone, converted from mpeg v4 to mp3 using online-audio-converter. Com.

Sound of a quick hand wash.

Facet in a kitchen being turned on and water running down the drain.

A stereo recording of my sink running, apologizes for the beginning since there is some handling noise. As for credit, no need, enjoy.

A tap being turned on and off, with water draining at the end. Some handling noise in places, sorry about that. Has been recorded using a filter at 115hz.

The sound of a cooking pan getting filled with water from the tap.

Poring a cup of water in to a plastic bucket to make a sound of a tap running. Recorded with a zoom h4n.

Recorded with zoom h1 @44 khz 16 bit stereo.

Recorded with zoom h1 @44 khz 16 bit stereo.

Recorded with zoom h1 @44 khz 16 bit stereo.

Just recorded some running water from the pipe.

Water running in a sink and water filling a cup in the sink. Recorded with a tascam dr-1 and shure 57 mic dangling over the sink.

Bathroom sink running water and drain recorded with sony pcm d100 in xy position at 192khz.

Running water sound. Sound of tap water or a small stream or babbling brook. Thanks to Lisa Redfern for another high quality sound effect.

Faucet water runningrecorded with zoom h6 x/y.

Opening and closing a water faucet in the kitchen.

Ambient; large waterdrops falling in shower (after the tap isn't fully closed) 24 bit, 48 khz. Wav.

I opened the tap over a metal sink, closed the tap again. Did that a second time and played with the water a bit like washing hands.

Running faucet water into a sink. Draining water + drain gurglin. Recorded with a zoom h2n.

Mono 96/24 recording of a bathroom sink being turned on, run, and then turned off. Equipment used: rode nta1-a large diaphragm condenser.

This is a patting sound, which could be used for someone running across a concrete/tiled floor.

Sound recorded using a samsung galaxy s7 edge and edited in audacity. (created by derek g. ).

Metallic tap opens with flowing water into drain, rinse hands then closes with popping bubbles. Recorded with the tascam dr-40 built-in microphones, processed in pro tools 10, bounced to a 48khz 24bit wav file.

Captured using a zoom h6 recorder and it's msh-6 “mid-side”-capsule. Date of the recording: 30/09/2017. Cut in ocenaudio. Also removed the s-channel. It's always nice to hear what projects you use these sounds for. Let me know.

A sound effect of a shower dripping once it has just been turned off.

Recorded water dropping from my mesh filter over the sink hole in to the pipe. Record with my zoom h2n.

Water running and dripping in bathroom sink. Recorded with zoom h6 and bg noise removed with izotope rx.

Turning on a sink faucet, running the water, turning it off, and letting the water drain down the sink.

Just some water trickling on some metal. Recorded with a zoom q4 mic.

The shower water running in a large bathroom with quite an echo. I've included the sound of the shower being turned on and off.

Drops of water dripping from a faucet and a bowl placed in my sink. Making a random rhythmic pattern. Recorded on a zoom h4n.

Played a little bit in the bathroom washbasin. Hope you like it. Feel free to use it!.

Hey everyone!. Feel free to use this sound in all your projects. Thanks!.

I recorded this with my zoom h2. Held the recorder the wrong way at first so for the first half of the recording you hear more reverb than direct sound, then realised my mistake and turned it the right way. I made some splashes with my hand so that it doesn't sound too monotonous. Some of the sound is water running into the bath, some - into the sink, i'm sure you can hear which is which. Hope you find it useful for whatever purpose you might need it.

Another sound that my sink in my kitchen makes after the water is turned off. Recorded with zoom h4n handy recorder.

The sound that my sink in my kitchen makes after the water is turned off. Recorded with zoom h4n handy recorder.

Three takes of running water in a porcelain bathroom sink. Short drain gurgles at end of each run. Recorded with a sony ecm-ds70p on a samsung sc-d353 dvcam-noise reduction and mastering with audacity.

Recording of an automatic mechanical watch ( breitling chronomat gmt )ticking using a contact mic. Breitling chronomat gmt. 96khz 24bit/moyster contact mic.

This was recorded with my 9-year old for a phone app called tiddl. The app was developed to interrogate whether cats could be entertained with a phone app. The recording features torn and crumpled paper, little noises we use to attract our cat, casio. Also featured are: toilet flushing sounds, running water sounds, banter with my studio mate, and a heated exchange about engineering technique.

Various kitchen noises. I recorded this while making foley for a film recently. It's intentionally roomy and captured from medium distance which was the position of the listener. There's no significant background roomtone (no traffic, fridge hum or voices), just the exagerated cutlery movements, glasses and cups clingings, water sink, cabinets, fridge door and stuff. Format:wav 48khz 24bit stereo. Gear:device: zoom h6microphones: 2 oktava mk 012 in ortf position.

This is a field-recording of washing up / doing the dishes after a small lunch. All separate steps of the process are included in the recording:0:00 - 0:54 s: filling the sink1:00 - 3:10 s: washing up3:10 - 6:03 s: drying the dishes with a towel and ranging them in cupboards and drawers6:03 - 6:21 s: draining the sink6:21 - end : cleaning the sink. The recording was made with the mid-prize smartphone huawei p10 lite. The recording was created as background atmosphere for my trackhttps://soundcloud. Com/rabmusiclab/washing-up.

Pistol fired outdoors with ricochet. Single shot, fairly close, with fast fadeout. Narrow stereo image, no panning, almost monophonic. Wholly synthesized. No weapon was fired in the making of this sound. It's an emulated sound effect of a sidearm gunshot with a cliche ricochet sound, like in the vintage western movies and ww2 films that they showed on tv when i was a kid. Can be used in a game, perhaps, or a none-too-serious vidclip. The sound of the pistol cartridge explosion is default flstudio kick, clap and snare slowed right down. A single tap of delay is added to lend an impression of echo off a middle distance hard surface. The ricochet noise was made with sytrus running as a vsti inside flstudio. It took an entire day of head scratching, oscillator tweaking and envelope mangling to get something that reasonably resembles a sound that i recall from the old movies. I think i'll shoot myself before i try something like this again. :). Plus the usual flstudio compressors, eq, reverb and delay - nothing tricky, just standard stuff.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.